Kit Danowski

Christopher Danowski (PhD) is a theatre and performance artist. He has written over fifty plays, directed, and performed in living rooms, galleries, and unusual spaces (sometimes in theaters). He was artistic director of Theater in My Basement from 1999-2013, and now serves as a founding member of Howl Theatre Project. He is based in Phoenix and his work has been shown locally, in New York, Minneapolis, Seattle, Yucatán, Mexico City, Dublin, Laval, Vienna, Berlin, and Kraków.

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Alumni, TT 2 (c-d), All 2 (c-e)--
Leah Decter

Leah Decter is an inter-media artist and scholar based in Winnipeg; Treaty 1 territory. Her artwork, research and writing focus on contested spaces, largely contending with histories and contemporary conditions of settler colonialism and systems of white dominance from a critical white-settler perspective. Her current artistic/research-creation projects address social-spatial dynamics of settler colonial contexts and consider the ethics of being-in-relation in spaces of Indigenous sovereignty. Her current research and writing focus on arts-based critical white settler methodologies that aim to contribute to the goals of decolonial, non-colonial and anti-racist movements.

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Alumni, TT 2 (c-d), All 2 (c-e)--
Bert de Muynck

Bert de Muynck [Belgium, 1977] is an architect, writer, lecturer and co-director of MovingCities. He holds a MA Architectural Engineering [Catholic University Leuven, BE] and a GAS Cultural Sciences [Free University Brussels, BE]. He is a prolific public speaker, writer and has lived and worked in Amsterdam [NL, 2001-06], Beijing [2006- 09], Shanghai [2009-2018] and is now based in Lisbon.

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Jean-Ulrick Désert

Jean-Ulrick Désert is a conceptual and visual-artist. He  received his degrees at Cooper Union and Columbia University (New York) and has lectured or been a critic at Princeton, Yale, Columbia, Humboldt University and l’école supérieur des beaux arts.

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TT 2 (c-d), All 2 (c-e)--
David Dunn

David Dunn is a composer and artist who primarily engages in site-specific interactions or research-oriented activities. Much of his current work is focused upon the development of listening strategies and technologies for environmental sound monitoring in both aesthetic and scientific contexts. Dunn is internationally known for his articulation of frameworks that combine the arts and sciences towards practical environmental activism and problem solving.

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Alumni, TT 2 (c-d), All 2 (c-e)--
Sarah Jane Eaton

Sarah Jane Eaton is an artist who works with portraiture, costuming, collage, and performance. She received her undergraduate degree of Fine Art from Utah State University in 2011 and began her MFA with Transart Institute in 2018. Her artistic practice explores the relationships she finds with her family, her models, the materials and herself. She lives and practices in Salt Lake City, Utah.

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Alumni, All 2 (c-e)--
Joanna Ebenstein

Joanna Ebenstein is a Brooklyn-based multi-disciplinary artist, award winning curator, writer, photographer, producer, art director, designer, and public speaker. Her work explores the intersections of art and medicine, death and culture, the objective and subjective, the living and the inanimate.

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All 2 (c-e), Guest (a-j)--
Chris Evans

Chris Evans' work often evolves through conversation with people from diverse walks of life, selected in relation to their public life or symbolic role, for example, the directors of a leading champagne house, a former member of the British Constructivists, the CEO of a Texas pharmaceutical company, a selection of elderly Italian politicians, an anonymous philanthropist etc.

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LJMU, All 2 (c-e)--
Colin Fallows

Colin Fallows, Head of Research Degrees, Liverpool School of Art and Design, LJMU. Fallows’ research explores crossovers between sound and the visual arts, frequently investigating the conditions and potentialities of listening. As artist and curator, he has produced soundworks for live ensemble performance, recordings, exhibition, installation, radio and the Internet. His artistic and curatorial projects have featured in numerous international festivals, galleries and museums.

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LJMU, ALL 3 (f-h)--
Nola Farman

Nola Farman studied sculpture at Ontario College of Art, Toronto, Canada, completing her MA and PhD at the University of Western Sydney.  She is currently writing and producing artworks about the absurdity of contemporary life, using the art world as an exemplar.

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ALL 3 (f-h), Guest (a-j)--
Jason File

Jason File is an artist and international lawyer based between London, UK and New York, NY, where he is a studio holder at the Elizabeth Foundation for the Arts in Manhattan. He is a former United Nations war crimes prosecutor and lecturer at the Royal Academy of Art (KABK), Netherlands, who holds degrees in fine art from the Chelsea College of Arts, London, and the KABK. He also holds degrees in the humanities, social sciences, and law from Yale (1998), Oxford (2000) and Yale Law School (2004).

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ALL 3 (f-h), Guest (a-j)--
Lucy Finchett-Maddock

Lucy Finchett-Maddock is an artist and academic at Sussex Law School, writing, researching and teaching in the fields of critical legal theory and speculative philosophy. She is one of the founders of the Art/Law Network and writes broadly on the themes of resistance, aesthetics, property, artificial divisions of art and law, and entropy.

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Borinquen Gallo

Borinquen Gallo is an artist and educator born in Rome, Italy who lives and works in NYC. She holds a B.F.A., from Cooper Union; an M.F.A. in Painting, from Hunter College, and is a Ed.D. candidate, at Teachers College, Columbia University. She is currently Visiting Assistant Professor of Art and Design Education at Pratt Institute and Instructor at the National Academy Museum and School where she was also appointed as Studio Practice Program Head, 2015-2016.

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ALL 3 (f-h), TT 3 (e-n)--
Allison Geremia

Allison Geremia is a current professor of Art History at the University of Massachusetts and also a practicing jeweler. She received her Ph.D. at the University of Plymouth through Transart Institute. Her dissertation examined contemporary jewelry of the United States and its sociological implications. She received her Masters at Parsons in the History of Decorative Arts and Design at the Cooper-Hewitt, National Design Museum.

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He Jin Jang

He Jin Jang is a multicity-based choreographer, researcher, dramaturg, curator and essayist, born and raised in Seoul, Korea. Jang has created, researched and written on the idea of & ‘choreography’; and & ‘living(surviving)’. As a female neurodivergent choreographer residing in South Korea, she is currently occupied with in her dance-making are questions like that of embodying resilience.

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Anna Gibbs

Professor Anna Gibbs teaches in the School of Humanities and Communication Arts at Western Sydney University. A member of the Writing and Society Research Centre and the Digital Humanities Research Group, she writes across the fields of textual, media and cultural studies focussing on feminism, fictocriticism and affect theory.

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